Category Archives: Great albums

Today: Marvin Gaye released What’s Going On (album) in 1971 (42 years ago)

marvin gaye what's going on

What’s Going On is not only Marvin Gaye’s masterpiece, it’s the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist.
~John Bush (allmusic.com)

… Marvin Gaye then did something no other Motown artist had ever dared. With What’s Going On (1971), he started a revolution. Although it spawned three hits—the antiwar title song, the ecological plea “Mercy Mercy Me,” and “Inner City Blues”—this was Motown’s first true album. Its blend of unembarrassed spirituality and unflinching social realism, as well as relentless percussion set against lush orchestration, was unlike anything that came before it in both form and content. For Gaye, it was a self-produced declaration of independence.
~ The New Rolling Stone Album Guide

What’s Going On:

Wikipedia:

Released May 21, 1971
Recorded June–September 1970; March–May 1971
Hitsville U.S.A.
Golden World
United Sound Studios
(Detroit, Michigan)
The Sound Factory
(West Hollywood, California)
Genre Soul, R&B
Length 35:38
Label Tamla
Producer Marvin Gaye

What’s Going On is the eleventh studio album by soul musician Marvin Gaye, released May 21, 1971, on the Motown-subsidiary label Tamla Records. Recording sessions for the album took place in June 1970 and March–May 1971 at Hitsville U.S.A., Golden World and United Sound Studios in Detroit and at The Sound Factory in West Hollywood, California.

The first Marvin Gaye album credited as being produced by the artist himself, What’s Going On is a unified concept album consisting of nine songs, most of which lead into the next. It has also been categorized as a song cycle; the album ends on a reprise of the album’s opening theme. The album is told from the point of view of a Vietnam War veteran returning to the country he had been fighting for, and seeing nothing but injustice, suffering and hatred.

marvin-gaye-whats-going-on-back

Mercy Mercy Me:

What’s Going On was the first album on which Motown Records’ main studio band, the group of session musicians known as the Funk Brothers, received an official credit. The album features introspective lyrics and socially conscious themes of drug abuse, poverty, and the Vietnam War. What’s Going On was both an immediate commercial and critical success and has endured as a classic of early-1970s soul. A deluxe edition set of the album was released on February 27, 2001, and featured a rare live concert shot at Washington, D.C.’s Kennedy Center from May 1972.

In worldwide critics’, artists’ and public surveys, it has been voted one of the landmark recordings in pop music history and is considered to be one of the greatest albums ever made. In 2003, the album was ranked number six on Rolling Stone’s list of the 500 greatest albums of all time, placing that same position nine years later.

marvin gaye

In 1969 or 1970, I began to re-evaluate my whole concept of what I wanted my music to say… I was very much affected by letters my brother was sending me from Vietnam, as well as the social situation here at home. I realized that I had to put my own fantasies behind me if I wanted to write songs that would reach the souls of people. I wanted them to take a look at what was happening in the world.
—Marvin Gaye (to rollingstone magazine)

Released on May 21, 1971, What’s Going On became Gaye’s first album to reach the Billboard Top LPs top ten, peaking at number six, and staying on the chart for nearly a year, selling over two million copies, by the end of 1972, becoming Motown’s and Gaye’s best-selling album to that date..

Accolades:

  • In 1985, writers on British music weekly the NME voted it best album of all time
  • In 2004, the album’s title track was ranked number 4 on Rolling Stone’s list of the 500 greatest songs of all time
  • A 1999 critics poll conducted by British newspaper Guardian/Observer named it the “Greatest Album of the 20th Century”
  • In 1997, What’s Going On was named the 17th greatest album of all time in a poll conducted in the United Kingdom by HMV GroupChannel 4The Guardian and Classic FM
  • In 1997, The Guardian ranked the album number one on its list of the 100 Best Albums Ever
  • In 1998 Q magazine readers placed it at number 97, while in 2001 the TV network VH1 placed it at number 4
  • In 2003, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry
  • What’s Going On was ranked #6 on Rolling Stone magazine’s 2003 list of the 500 Greatest Albums of All Time, one of three Gaye albums to be included, preceded by 1973′s Let’s Get It On (#165) and 1978′s Here My Dear(#462). The album is Gaye’s highest-ranking entry on the list, as well as several other publications’ lists

marvin gaye

Track Listing:

Side one

  1. “What’s Going On” (Al Cleveland, Marvin Gaye, Renaldo “Obie” Benson)
  2. “What’s Happening Brother” (James Nyx, M. Gaye)
  3. “Flyin’ High (In the Friendly Sky)” (M. Gaye, Anna Gordy Gaye, Elgie Stover)
  4. “Save the Children” (Cleveland, Benson, M. Gaye)
  5. “God Is Love” (M. Gaye, A. Gaye, Stover, Nyx)
  6. “Mercy Mercy Me (The Ecology)” (M. Gaye)

Side two

  1. “Right On” (Earl DeRouen, M. Gaye)
  2. “Wholy Holy” (Benson, Cleveland, M. Gaye)
  3. “Inner City Blues (Make Me Wanna Holler)” (M. Gaye, Nyx)

marvin-gaye-whats-going-on

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Today: The Who released – Live At Leeds – in 1970

The_who_live_at_leeds

Rolling Stone hailed it as the best ever live album, and they may still be right…
~Chris Jones (BBC – 2007)

From youtube:
The Who at Leeds for their greatest live in 1970! it’s the ONLY VIDEO of this concert!

  • Fortune Teller (0:00 to 0:05) –
  • Happy Jack (0:06 to 0:13) –
  • I’m a Boy (0:14 to 0:33) –
  • A Quick One While He’s Away (0:34 to 2:09) –
  • Christmas (2:10 to 3:05) –
  • Pinball Wizard (3:06 to 3:22) –
  • Go to The Mirror (3:22 to 3:26) –
  • Smash The Mirror (3:27 to 3:35)-
  • Tommy’s Holliday Camp (3:36 to 3:45) –
  • We’re Not Gonna Take It (with See Me, Feel Me) (3:46 at the end)

1970 Original LP – Full Album:

The Who Live At Leeds

Wikipedia:

Released 16 May 1970
Recorded 14 February 1970,
University of Leeds,
Leeds, West Riding of Yorkshire,
England, United Kingdom
Genre Rock
Length 36:24
Label Decca/MCA
Producer Jon Astley, Kit Lambert, and The Who

Live at Leeds is The Who’s first live album, and is the only live album that was released while the group were still actively recording and performing with their best known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. Initially released in the United States on 16 May 1970, by Decca and MCA and the United Kingdom on 23 May 1970, by Track and Polydor, the album has been reissued on several occasions and in several different formats. As of 2005, the album is ranked number 170 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

The album has been cited as the best live rock recording of all time by The TelegraphThe IndependentThe New York Times, the BBC, and Rolling Stone. It is included in the book 1001 Albums You Must Hear Before You Die, and in Q magazine’s list of Loudest Albums of All Time. A Rolling Stone readers’ poll in 2012 ranked it the best live album of all time.

Shakin’ All Over:

 Release History:

  • The original LP was released on 16 May 1970 in stereophonic format. The album was reissued on Compact Disc in 1985 by MCA in the US, and in 1987 by Polydor in Germany.
  • In 1995, the album was reissued as a remixed CD including more songs than the original vinyl edition, as well as song introductions and other banter that had been edited out of the original release. For the remix, new vocal overdubs from Daltrey, Townshend and Entwistle were recorded to address occasional flaws in the original tapes or performances.
  • In 2001, the album was released again as a part of the Universal Deluxe Edition series. The Deluxe Edition includes more chat between the songs, and the entirety of the band’s Tommy set as performed at Leeds. Again, new overdubs from the vocalists were employed at select points.
  • In October 2010, Universal Music announced the impending release of a 40th Anniversary edition of the album which would not only contain the full Leeds show from 14 February 1970 but also the band’s complete performance from Hull which was recorded the following evening as well as a heavyweight vinyl reproduction of the original six-track album, memorabilia and a replica 7 Inch Single of ‘Summertime Blues/ Heaven & Hell’. This performance had previously been unavailable because of a problem with the recording of John Entwistle’s bass guitar on the first six songs. To fix this problem his performance at the Leeds show was overdubbed over these tracks of the Hull performance using digital technology.

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Today: The Rolling Stones – Exile On Main St. was released in 1972 – 41 years ago

ExileMainSt

More than anything else this fagged-out masterpiece is difficult–how else describe music that takes weeks to understand? Weary and complicated, barely afloat in its own drudgery, it rocks with extra power and concentration as a result.
~Robert Christgau (http://www.robertchristgau.com)

..It’s the kind of record that’s gripping on the very first listen, but each subsequent listen reveals something new. Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock.
~Stephen Thomas Erlewine (allmusic.com)

Let It Loose:

Wikipedia:

Released 12 May 1972
Recorded June 1969 – March 1972
Genre Rock and roll, blues, soul, R&B,country
Length 67:07
Language English
Label Rolling Stones
Producer Jimmy Miller

Exile on Main St. is the tenth British and 13th American studio album by English rock band The Rolling Stones. Released as a double LP in May 1972, it draws on many genres including rock and roll, blues, soul, R&B, gospel and country. The release of Exile on Main St. met with mixed reviews, but it is now generally regarded as the band’s best album. In 1987, as part of their 20th anniversary, Rolling Stone magazine ranked it third on the 100 Best Albums of the Last Twenty Years. In 2003, the album was ranked 7th on Rolling Stone magazine’s list of the 500 greatest albums of all time, the highest a Rolling Stones album ranked on the list.

The 2010 remastered version of the album was released in Europe on 17 May 2010 and in the United States on 18 May 2010, featuring a bonus disc with 10 new tracks.

mick jagger keith richards exile on main st

Loving Cup:

Recording:

Exile on Main St. was written and recorded between 1968 and 1972. Mick Jagger said “After we got out of our contract with Allen Klein, we didn’t want to give him [those earlier tracks],” as they were forced to do with “Brown Sugar” and “Wild Horses” from Sticky Fingers. Many tracks were recorded between 1969 and 1971 at Olympic Studios and Jagger’s Stargroves country house in England during sessions for Sticky Fingers.

By the spring of 1971 the Rolling Stones owed more in taxes than they could pay and left Britain before the government could seize their assets. Mick Jagger settled in Paris with his new bride Bianca, and guitarist Keith Richards rented a villa, Nellcôte, in Villefranche-sur-Mer, near Nice. The other members settled in the south of France. As a suitable recording studio could not be found where they could continue work on the album, Richards’ basement at Nellcôte became a makeshift studio using the band’s mobile recording truck.

keith richards gram parsons nellcote

Torn And Frayed:

…..it’s their most physically jolting album and, ultimately, their most emotionally inspiring. Mick’s vocals are just another instrument in a glorious rush of high-velocity electric noise, his lyrics barely perceptible in all the guitar, sax, and harmonica; whatever he’s saying, he just wants to plug in and flush out and fight and fuck and feed. Keith channels all his nasty habits and internal chaos into the guitars, from the convulsive opener, “Rocks Off,” to the weary acoustic stomp of “Sweet Virginia.” Charlie Watts’ understated performance in “Shake Your Hips” demands some sort of Nobel Prize.

Exile was the Stones’ biggest musical triumph, but all the decadence was catching up with them. The band lost focus, with Keith’s attention diverted by the pressing concern of stuffing as many toxic chemicals into his veins as possible.

From: The New Rolling Stone Album Guide

Tracks:

  1. “Rocks Off” 4:31
  2. “Rip This Joint” 2:22
  3. “Shake Your Hips” (Slim Harpo) 2:59
  4. “Casino Boogie” 3:33
  5. “Tumbling Dice” 3:45
    -
  6. “Sweet Virginia” 4:27
  7. “Torn and Frayed” 4:17
  8. “Sweet Black Angel” 2:54
  9. “Loving Cup” 4:25
    -
  10. “Happy” 3:04
  11. “Turd on the Run” 2:36
  12. “Ventilator Blues” (Jagger/Richards/Mick Taylor) 3:24
  13. “I Just Want to See His Face” 2:52
  14. “Let It Loose” 5:16
    -
  15. “All Down the Line” 3:49
  16. “Stop Breaking Down” (Robert Johnson) 4:34
  17. “Shine a Light” 4:14
  18. “Soul Survivor” 3:49

rolling-stones_exile-grn_f

Personnel:

  • Mick Jagger – lead vocals, harmonica, guitar on “Tumbling Dice” and “Stop Breaking Down”, percussion
  • Keith Richards – guitars, backing vocals, lead vocals on “Happy”, electric piano on “I Just Want to See His Face”, bass guitar on “Casino Boogie”, “Happy” and “Soul Survivor”
  • Mick Taylor – guitars, slide guitar, bass guitar on “Tumbling Dice”, “Torn and Frayed”, “I Just Want to See His Face” and “Shine a Light”
  • Charlie Watts – drums
  • Bill Wyman – bass guitar
Additional personnel
  • Nicky Hopkins – piano
  • Bobby Keys – saxophone, percussion on “Happy”
  • Jim Price – trumpet, trombone, organ on “Torn and Frayed”
  • Ian Stewart – piano on “Shake Your Hips”, “Sweet Virginia” and “Stop Breaking Down”
  • Jimmy Miller – drums on “Happy” and “Shine a Light”, percussion on “Sweet Black Angel”, “Loving Cup”, “I Just Want to See His Face” and “All Down the Line”
  • Bill Plummer – upright bass on “Rip This Joint”, “Turd on the Run”, “I Just Want to See His Face” and “All Down the Line”
  • Billy Preston – piano and organ on “Shine a Light”
  • Al Perkins – pedal steel guitar on “Torn and Frayed”
  • Richard Washington – marimba on “Sweet Black Angel”
  • Clydie King, Venetta Fields – backing vocals on “Tumbling Dice”, “I Just Want to See His Face”, “Let It Loose” and “Shine a Light”
  • Joe Green – backing vocals on “Let It Loose” and “Shine a Light”
  • Jerry Kirkland – backing vocals on “I Just Want to See His Face” and “Shine a Light”
  • Mac Rebennack, Shirley Goodman, Tami Lynn – backing vocals on “Let It Loose”
  • Kathi McDonald – backing vocals on “All Down the Line”
  • Engineers – Glyn and Andy Johns, Joe Zaganno, Jeremy Gee
  • Cover photography/concept – Robert Frank
  • Layout design – John Van Hamersveld, Norman Seeff

rolling stones exile on main st back

Shine A Light:

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Today: Johnny Cash released American Recordings in 1994 – 19 years ago

johnny cash-american-recordings

…Always, the choice of material is a revelation. The Beast In Me (written by former son-in-law, Nick Lowe) could be autobiographical. And while writers like horrorpunk figurehead Glenn Danzig or Tom Waits probably would never have figured on his radar were it not for Rubin; time and again the duo found songs that were, in Cash’s hands, to take on new life. This willingness to experiment was to set a precedent: Subsequent albums were to see him work magic on material from Nine Inch Nails to U2 and Depeche Mode. But Johnny Cash’s final road to redemption and artistic fulfillment starts here…
~Chris Jones (bbc.co.uk)

American Recordings did something very important — it gave Cash a chance to show how much he could do with a set of great songs and no creative interference, and it afforded him the respect he’d been denied for so long, and the result is a powerful and intimate album that brought the Man in Black back to the spotlight, where he belonged.
~Mark Deming (allmusic.com)

#1 – Delia’s Gone

Wikipedia:

Released April 26, 1994
Recorded May 17, 1993 – December 7, 1993
Genre Country, country folk, americana, folk rock
Length 42:45
Label American/ Sony
Producer Rick Rubin

American Recordings is the 81st album by the country singer Johnny Cash. It was released in April 1994, the first album issued by American Recordings after its name change from Def American, the album being named after the new label. In 2003, the album was ranked number 364 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

Cash was approached by producer Rick Rubin and offered a contract with Rubin’s American Recordings label, better known for rap and heavy metal than for country music. Under Rubin’s supervision, he recorded the album in his living room, accompanied only by his guitar. For years Cash was often at odds with his producers after he had discovered with his first producer, Sam Phillips, that his voice was better suited to a stripped-down musical style. Most famously he disagreed with Jack Clement over his sound, Clement having tried to give Cash’s songs a “twangy” feel and to add strings and barbershop-quartet-style singers. His successful collaboration with Rick Rubin was in part due to Rubin seeking a minimalist sound for his songs.

johnny cash american recordings

#3 – The Beast In Me:

The songs “Tennessee Stud” and “The Man Who Couldn’t Cry” were recorded live at the Viper Room, a Sunset Strip, Los Angeles nightclub owned at the time by Johnny Depp. “The Beast in Me” was written and originally recorded by Cash’s former stepson-in-law Nick Lowe.

The video for the first single, the traditional song “Delia’s Gone” (directed by Anton Corbijn, featuring Kate Moss), was put into rotation on MTV, and even appeared on Beavis and Butt-head, Beavis asking if Cash was Captain Kangaroo. The album was hailed by critics and many declared it to be Cash’s finest album since the late 1960s, while his versions of songs by more modern artists such as Tom Waits and Glenn Danzig (who penned a song called “Thirteen” specifically for Cash, in just twenty minutes) helped to bring him a new audience. American Recordings received a Grammy for Best Contemporary Folk Album of the Year at the 1994 Grammy Awards. The album cover was photographed whilst Cash was visiting Australia, at Werribee near Melbourne.

johnny cash rick rubinJohhny Cash & Rick Rubin in studio

#5 – Why Me Lord:

Track listing:

  1. “Delia’s Gone” (Karl Silbersdorf, Dick Toops) – 2:18
    Originally recorded by Cash for The Sound of Johnny Cash (1962)
  2. “Let the Train Blow the Whistle” (Cash) – 2:15
  3. “The Beast in Me” (Nick Lowe) – 2:45
    Originally recorded by Lowe for The Impossible Bird (1994)
  4. “Drive On” (Cash) – 2:23
  5. “Why Me Lord” (Kris Kristofferson) – 2:20
    Originally recorded by Kristofferson for Jesus Was a Capricorn (1972)
  6. “Thirteen” (edit) (Glenn Danzig) – 2:29
    Full-length version appears on Disc 5 of the Unearthed Box Set. Written by Glenn Danzig for Cash. Later recorded by Danzig for Danzig 6:66 Satan’s Child (1999)
  7. “Oh, Bury Me Not (Introduction: A Cowboy’s Prayer)” (John Lomax, Alan Lomax, Roy Rogers, Tim Spencer) – 3:52
    Originally recorded by Cash for Sings the Ballads of the True West (1965)
  8. “Bird on a Wire” (Leonard Cohen) – 4:01
    Originally recorded by Cohen for Songs from a Room (1969)
  9. “Tennessee Stud” (live) (Jimmy Driftwood) – 2:54
    Originally a hit single for Eddy Arnold (1959)
  10. “Down There by the Train” (Tom Waits) – 5:34
    Written by Waits for Cash. Later released by Waits on his Orphans: Brawlers, Bawlers & Bastards rarities collection.
  11. “Redemption” (Cash) – 3:03
  12. “Like a Soldier” (Cash) – 2:50
  13. “The Man Who Couldn’t Cry” (live) (Loudon Wainwright) – 5:03
    Originally recorded by Wainwright for Attempted Mustache (1973)

Personnel:

  • Rick Rubin – producer
  • Johnny Cash – acoustic guitar, vocals, main performer, liner notes
  • Jim Scott – mixing
  • David Ferguson – sound recordist
  • Stephen Marcussen – mastering
  • Christine Cano – design
  • Martyn Atkins – art director, photographer

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