June 15: Bob Dylan released Street-Legal in 1978
“On this album, I took a few steps backward, but I also took a bunch of steps forward because I had a lot of time to concentrate on it. I also had the band sounding like I want it to sound. It’s got that organ sound from ‘Blonde on Blonde’ again. That’s something that has been missing.”
~Bob Dylan (to Robert Hilburn – May 1978)
Jonathan Cott interview – Sept. 1978:
Jonathan Cott: What do you think of all the criticisms of Street Legal?
Bob Dylan: I read some of them. In fact, I didn’t understand them. I don’t think these people have had the experiences I’ve had to write those songs. The reviews didn’t strike me as being particularly interesting one way or another, or as compelling to my particular scene. I don’t know who these people are. They don’t travel in the same crowd, anyway. So it would be like me criticizing Pancho Villa.
First of all… “Street-Legal” is a fantastic album. I have never “understood” all the criticism it got.. and still gets, and I even dig the original overall sound & production.
Continue reading June 15: Bob Dylan released Street-Legal in 1978
May 27: Bob Dylan released The Freewheelin’ Bob Dylan 1963
“..easily the best of [Dylan’s] acoustic albums and a quantum leap from his debut—which shows the frantic pace at which Dylan’s mind was moving.You can see why this album got the Beatles listening. The songs at its core must have sounded like communiques from another plane.”
~John Harris (Q Magazine, 2000)
” I think it was the first time I ever heard Dylan at all… And for the rest of our three weeks in Paris, we didn’t stop playing it.”
– John Lennon (about The Freewheelin’ Bob Dylan)
Blowin’ In The Wind:
Continue reading May 27: Bob Dylan released The Freewheelin’ Bob Dylan in 1963
May 16: Bob Dylan released Blonde On Blonde in 1966
The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)
Blonde on Blonde is all resonance. The songs and their stories and evocative lines and seductive melodies inhabit a realm of sound unique to this album, different from anything created before or since by Dylan or anyone else. Dylan called it “that thin, that wild mercury sound-metallic and bright gold, with whatever that conjures up.”
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
To have followed up one masterpiece with another was Dylan’s history making achievement here…Where Highway 61 Revisited has Dylan exposing and confronting like a laser beam in surgery, descending from outside the sickness, Blonde on Blonde offers a persona awash inside the chaos…We’re tossed from song to song…The feel and the music are on a grand scale, and the language and delivery are a rich mixture of the visionary and the colloquial.
~Michael Gray (Song & Dance Man III: The Art of Bob Dylan)
Continue reading May 16: Bob Dylan released Blonde On Blonde in 1966
April 9: Bob Dylan released Nashville Skyline in 1969
Well, Jann, I’ll tell you something. There’s not too much of a change in my singing style, but I’ll tell you something which is true… I stopped smoking. When I stopped smoking my voice changed… So drastically, I couldn’t believe it myself. That’s true. I tell you, you stop smoking those cigarettes (laughter)… and you’ll be able to sing like Caruso.
~Bob Dylan (to Jann Wenner Nov 1969)
Anyway, on Nashville Skyline you had to read between the lines. I was trying to grasp something that would lead me on to where I thought I should be, and it didn’t go nowhere – it just went down, down, down.
~Bob Dylan (to Jonathan Cott, Sept 1978)
Released 48 years ago, it surely is one of his most controversial albums.. “Embracing” classic Country music & kicking off the “Country Rock” genre.
I’ve always liked this album… not a masterpiece, but a solid Dylan album.
#1 – Girl from the North Country (with Johnny Cash)
Continue reading April 9: Bob Dylan released Nashville Skyline in 1969
“A lot of people tell me they enjoy that album. It’s hard for me to relate to that. I mean, you know, people enjoying the type of pain, you know.”
~Bob Dylan (to Mary Travers April 1975)
Well, Blood On The Tracks did consciously what I used to do unconsciously. I didn’t perform it well, I didn’t have the power to perform it well, but I did write the songs; they can be changed but the idea was right…
~Bob Dylan (to Matt Damsker, September 1978)
“In stunning, total contrast to the previous album, Before the Flood, this 16th Dylan album triumphantly shows more subtlety and nuance than anything he’d ever done, and as honed a use of understatement as on John Wesley Harding. At the time this was the most unexpected leap of Dylan’s career. After years of comparatively second-rate work and a considerable decline in his reputation, here was an album to stand with Highway 61 Revisited and Blonde on Blonde.”
~Michael Gray (The Bob Dylan Encyclopedia)
Early one mornin’ the sun was shinin’
I was layin’ in bed
Wond’rin’ if she’d changed at all
If her hair was still red
Her folks they said our lives together
Sure was gonna be rough
They never did like Mama’s homemade dress
Papa’s bankbook wasn’t big enough
And I was standin’ on the side of the road
Rain fallin’ on my shoes
Heading out for the East Coast
Lord knows I’ve paid some dues gettin’ through
Tangled up in blue
Continue reading Jan 20: Bob Dylan released Blood On The Tracks in 1975