Category Archives: The Best Songs

Great song – Son of a Rotten Gambler by Chip Taylor

smio-12

This classic song is written by Chip Taylor (aka  James Wesley Voight) and there are several very good recordings. The version above is from Chip Taylor’s fantastic album, Hit Man released in 1996. An album were Taylor revisits many of his best songs. When you have written as many great songs as Taylor has, there are bound to be oversights and omissions, but you owe it to yourself to seek out this great record. Hit Man indeed!

“Son Of A Rotten Gambler” was written for his son, Kristian and it went to the top of the country charts. The song is particularly poignant as it speaks of his other great talent, gambling, that he was doing professionally during a break from his recording career in the early 80′s.

As a gambler, he was one of the foremost thoroughbred horse race handicappers on the East Coast. When Chip Taylor turned his sights on the gaming tables, he quickly gained notoriety with his black jack prowess; finishing third in the World Black Jack Championship in Las Vegas. He became one of the most feared card counters in theU.S and was banned from every casino in Atlantic City.  These stories are known throughout the gambling world and well documented by the I.R.S..

Anne Murray had a hit with the song in 1974, and it is probably the best known version.

Son Of A Rotten Gambler – Anne Murray:

One of my favorite recordings, “Son of a Rotten Gambler” was a huge, huge country record for Anne Murray. But it was the fifth single from her album release, and they quickly buried it because they wanted to release another album for Christmas. Even though they tried to bury it, it became a huge hit. I wrote it for my son. Emmylou Harris has recorded it as well, but Anne’s version gave me chills when I first heard it. It starts out with an organ that you hear in the distance, and it gets louder and louder and louder, and then she comes in and starts to sing. I think it’s one of the best recordings of any of my songs.

- Chip Taylor (to Engine 145)

The Hollies released their version in 1975. A nice interpretation but too much of a  ”sing-a-long” anthem for my taste. I think the song loses some of its poignancy.

Son of a Rotten Gambler – The Hollies:

My favourite take of the song, together with Chip Taylors own,  is by Emmylou Harris. Released in 1981 on the wonderful album, Cimarron. This was her 9th album and is often rated lower than her previous records, don’t be fooled, it is better than most country albums.

Son of a Rotten Gambler – Emmylou Harris:

Continue reading

Bob Dylan’s best songs – Every Grain of Sand 11

bob dylan smoking 1981

That was an inspired song that came to me. I felt like I was just putting down words that were coming from somewhere else, and I just stuck it out.
~Bob Dylan (“Biograph” notes)

“That’s an excellent song, very painless song to write,… It took like 12 seconds – or that’s how it felt.”
~Bob Dylan (to Robert Hilburn – Feb 1992)

…But “Every Grain of Sand” is something special: the “Chimes of Freedom” and “Mr. Tambourine Man” of Bob Dylan’s Christian period. A pearl among swine, it has surety and strength all down the line. Also vulnerability.
~Paul Nelson (from his famous “Rolling Stone Magazine” review of “Shot Of Love” – Oct. 1981)

shot of love

On 11th place on my top 200 list comes this diamond. A masterpiece with lyrics so beautiful you almost loose the music listening to it… the music is also fantastic and it contains two of Dylan’s best harmonica solos’s.

It was recorded early May 1981 @ Clover Recorders, Los Angeles, California.

The love in ‘Every Grain Of Sand’ , though firmly rooted in Dylan’s conversion experience and his Bible studies, immediately and obviously reaches beyond it’s context to communicate a deeply felt devotional spirit based on universal experiences: pain of self-awareness, and sense of wonder or awe of the beauty of the natural world.
~Paul Williams (BD Performing Artist 1974-86)

As Paul Williams points out.. you don’t have to be a religious person to find beauty & comfort here:

I hear the ancient footsteps like the motion of the sea
Sometimes I turn, there’s someone there, other times it’s only me
I am hanging in the balance of the reality of man
Like every sparrow falling, like every grain of sand

Here is a GREAT video… matching pictcures to the lyrics in a brilliant way:

The key to the performance is its motion: it moves like the sea, forth and back and forth and back, filled with the quality of restfulness but never resting.
~Paul Williams (BD Performing Artist 1974-86)

  Continue reading

Brown Sugar by Rolling Stones was released 16 April in 1971

Rolling-Stones-Brown-Sugar

“The lyric was all to do with the dual combination of drugs and girls. This song was a very instant thing, a definite high point.”
- Mick Jagger

“I’ve got a new one myself. No words yet, but a few words in my head – called Brown Sugar - about a woman who screws one of her black servants. I started to call it Black Pussy but I decided that was too direct, too nitty-gritty.” – Mick Jagger (1969, The True Adventures of Rolling Stones by Stanley Booth)

Brown Sugar is the opening track and lead single from their 1971 album Sticky FingersRolling Stone magazine ranked it #495 on their list of the 500 Greatest Songs of All Time and at #5 on their list of the 100 Greatest Guitar Songs of All Time.

The group sings the lyric with all the enthusiasm of tongue-wagging dogs swooping onto a prime rib, leading up to one of the band’s strongest shout-along choruses. As on other Stones classics of the period like “Honky Tonk Women” and “Bitch,” beefy horns start to duel with the buzzing electric guitars in the instrumental break; few if any other groups have used guitars and horns as deftly in unison. The crowning embellishment is the final choruses, which vary the melody and tempo so that the group sings and make a high-pitched exclamation in a rhythm that very much resembles that of a sexual climax.

- Richie Unterberger (allmusic)

It is credited, like most of their songs, to  Mick Jagger and Keith Richards, but the song was primarily the work of Jagger, who wrote it sometime during the filming of Ned Kelly in 1969.

Brown Sugar from the fantastic concert film Ladies and Gentlemen (1972):

This version of the song features Mick Jagger on vocals, Keith Richards and Mick Taylor on guitar, Charlie Watts on drums, Bill Wyman on bass, Nick Hopkins on piano, Bobby Keys on saxophone, and Jim Price on horns.

Brown Sugar, Lyrics:

Gold coast slave ship bound for cotton fields,
Sold in a market down in new orleans.
Scarred old slaver know he’s doin alright.
Hear him whip the women just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should
A-huh.

Drums beating, cold english blood runs hot,
Lady of the house wondrin where it’s gonna stop.
House boy knows that he’s doin alright.
You should a heard him just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a black girl should
A-huh.

I bet your mama was a tent show queen, and all her boy
Friends were sweet sixteen.
Im no schoolboy but I know what I like,
You should have heard me just around midnight.

Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should.

I said yeah, I said yeah, I said yeah, I said
Oh just like a, just like a black girl should.

Continue reading

Bob Dylan’s best songs – Like A Rolling Stone #1

Bob Dylan - like-a-rolling-stone

….would be Like A Rolling Stone because I wrote that after I’d quit. I’d literally quit singing and playing, and I found myself writing this song, this story, this long piece of vomit about twenty pages long, and out of it I took Like A Rolling Stone and made it as a single. And I’d never written anything like that before and it suddenly came to me that that was what I should do, you know. I mean, nobody had ever done that before.
~Bob Dylan (to Martin Bronstein – Feb 1966)

.. The sound is so rich the song never plays the same way twice
~Greil Marcus

The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody had kicked open the door to your mind
~Bruce Springsteen (Jan 1988)

bob-dylan-1965-bass

I suspected when writing this post I would switch no 1 & 2 on my list, but instead I decided that their actually both number 1….. It’s my list anyway.

First time I really listened to “Like A Rolling Stone”, I felt I entered a parallel universe.. a place of intense beauty.. a place filled with this wonderful blues-fueled rock music… and a spellbinding ..organ! I had never heard anything like it.. anything this good..

That was the day I understood that there is bad music, good music, great music & then there is Bob Dylan. He plays in another league. His musical universe is still as beautiful now as it was first time I flew into it.. “Like A Rolling Stone” still sounds as fresh as it did the first time I listened ~25 years ago.

..HOW does it feeeeeel?

Let’s not start with the original version (as most of you reading this probably have heard hundreds of times), but instead a frightening version.. a slow & demanding versions… an “ugly” version (some people might say).. a dangerous version.. but most importantly a BRILLIANT version:

…We get to hear a rarity on the tour… Bob introduces The Band. Then he kicks into the highlight of disc one… a paifully slow Like A Rolling Stone in which Bob spits words at the crowd with venom, and drags them into eternity.
~bobsboots.com

@ Royal Albert Hall – London, England – 26 May 1966:

Everything is changed now from before. Last spring I guess I was going to quit singing. I was very drained and the way things were going it was a very draggy situation – I mean, when you do Everybody Loves You For Your Black Eye and meanwhile the back of your head is caving in. Anyway, I was playing a lot of songs I didn’t want to play. I was singing words I didn’t really want to sing. I don’t mean words like “God” and “mother” and “president” and “suicide” and “meat cleaver”. I mean simple little words like “if” and “hope” and “you”. But Like A Rolling Stone changed it all; I didn’t care any more after that about writing books or poems or whatever. I mean it was something that I myself could dig. It’s very tiring having other people tell you how much they dig you if you yourself don’t dig you. It’s also very deadly entertainment-wise. Contrary to what some scary people think, I don’t play with a band now for any kind of propaganda-type or commercial-type reasons. It’s just that my songs are pictures and the band makes the sound of the pictures.
~Bob Dylan (to Nat Hentoff – March 1966)

To be without a home

Continue reading

Related Posts Plugin for WordPress, Blogger...