Once upon a time you dressed so fine
You threw the bums a dime in your prime, didn’t you?
People’d call, say, “Beware doll, you’re bound to fall”
You thought they were all kiddin’ you
You used to laugh about
Everybody that was hangin’ out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging for your next meal
How does it feel
How does it feel
To be without a home
Like a complete unknown
Like a rolling stone?
There are loads of live versions of “Like A Rolling Stone”.
Except all the great ones from the 66-tour… not that many is above… good.
This one is.
Radio City Music Hall
New York City, New York 18 January 1992 Taping for Late Night (w/ David Letterman) 10th Anniversary show
Any fan of classic rock needs no introduction to Mick Taylor. The legendary guitarist first made his mark in the 1960′s playing with John Mayall’s Bluesbreakers as the successor to Eric Clapton. As if this wasn’t enough, Mick Taylor would eventually go on to replace the late Brian Jones in The Rolling Stones. He would leave the Stones in 1974, but he was a big part on some of their most seminal albums, such as Let it Bleed, Sticky Fingers, and Exile on Main Street. Over the years, Taylor would carve out his own solo career, but would continue to maintain contact with the Stones, eventually being present for the band’s induction into the Rock and Roll Hall of Fame in 1989.
In 1983, Taylor joined Mark Knopfler and played on Dylan’s Infidels album. He also appeared on Dylan’s live album Real Live, as well as the follow-up studio album Empire Burlesque. In 1984, Dylan asked Mick Taylor to assemble an experienced rock and roll band for a European tour he signed with Bill Graham. Ian McLagan was hired to play piano and hammond organ, Greg Sutton to play bass and Colin Allen, a long-time friend of Taylor, on drums. The tour lasted for four weeks at venues such as Munich’s Olympic Stadium Arena and Milan’s San Siro Stadium, sharing the bill with Carlos Santana and Joan Baez, who appeared on the same bill for a couple of shows.
His take on Bob Dylan’s Blind Willie McTell is faithful but playful, for instance he incorporates snippets from All along the Watchtower in the middle of the song. But it is his fantastic guitar playing that is the reason I chose this as todays video. There are not many guitarists in his league. Fantastic!
Seen the arrow on the doorpost
Saying, “This land is condemned
All the way from New Orleans
To New Jerusalem”
I traveled through East Texas
Where many martyrs fell
And I know no one can sing the blues
Like Blind Willie McTell
Dylan’s “Blind Willie McTell” @ the 17th Annual Critics’ Choice Movie Awards ceremony – 12 January 2012 – was performed as a tribute to Martin Scorsese.
I love the song (off course) & Pieter Bruegel the Elder was a one of the great northern renaissance painters.
From youtube comment:
This 10 minute film is a collage of music and imagery set down by two artists who lived 450 years apart in history. The unexpected union of these visionaries was a chance encounter late one night while perusing through an old book of engravings by the Flemish artist, Peter Bruegel the Elder while listening to the song “Desolation Row” by Bob Dylan. In an instant an uncanny collaboration was taking place. The wildly strange visual imagery of Bruegel was illustrating the equally bizarre lyrics of Dylan. They were in tandem. Yet neither medium violated the unique vision of the other. This unusual film captures this creative apparition through the use of marionettes, engravings and music.