“Say what you want about Empire Burlesque — at the very least, it’s the most consistent record Bob Dylan has made since Blood on the Tracks, even if it isn’t quite as interesting as Desire. However, it is a better set of songs, all deriving from the same place and filled with subtle gems — the most obvious being “Tight Connection to My Heart (Has Anybody Seen My Love?),” but also “Emotionally Yours” and “Dark Eyes” — proving that his powers are still there.”
I’ll Remember You (my favorite version from the movie Masked and Anonymous):
Bob Dylan fans and music critics continue to debate the album’s merits, especially when compared to the styles he pioneered in the 1960s and 1970s. It is one of Dylan’s most discussed albums in terms of quality, having a distinct “80s style” production to the songs. There are some really great songs on this album, but they seem hidden under the “80s sound”.
The sessions for Empire Burlesque were held in New York and Hollywood from July 1984 to April 1985.
1. Young At Heart
2. Maybe You’ll Be There
3. Polka Dots And Moonbeams
4. All The Way
7. All or Nothing at All
8. On a Little Street in Singapore
9. It Had to be You
10. Melancholy Mood
11. That Old Black Magic
12. Come Rain or Come Shine
We think it will be called Fallen Angels. It looks like he is still getting inspiration from Film Noir (se picture above). The director, Otto Preminger also made Frank Sinatra’s best film, The Man With The Golden Arm.
It seems to be a sequel of sorts of his last album and will most probably consist of Frank Sinatra standards (songs Sinatra did).
At least some of the work on the album is done in Studio B at Hollywood’s famed Capitol Studios (According to producer Al Schmitt, Feb 11).
It seems like he is brushing up on already recorded material.
“He came to my house eight or six months ago and spent a few hours, We listened to 21 songs – because he’s made two records of this [Sinatra project].”
– Daniel Lanois (to the Vancouver Sun)
It will be released on May 20th (we think, it’s a bit hard to read the small print here…)EDIT: Found a picture with better resolution, and yes, it is May the 20th:
For every pair of tickets purchased, you will receive a redemption code to receive a Compact Disk of Bob Dylan’s forthcoming album “Fallen Angels.” (Not available for Indianapolis and Boston.)
Bob Dylan reddit.com reports:
“The new album will be called Fallen Angels and will contain, among others, “Melancholy Mood”, “All or Nothing at All”, “Come Rain or Come Shine” and “That Old Black Magic”. Those four songs are also scheduled for an EP to be released in conjunction with Record Store Day.”
It’s rock and roll all over In every street and every station Kids fight like different nations And it’s brawn against brain And it’s knife against chain But it’s all young blood Flowing down the drain
One of those albums that was played so much on vinyl that it got worn out and bought again (twice!), Fantastic album!
Give ‘Em Enough Rope is one of the greatest transition albums of all time. The Clash was a purely punk album, and the best pure punk album “evvah!” London Calling is an eclectic and unique era-spanning masterpiece. Give ‘Em Enough Rope retain their punk roots, but start to draw in more influence from a more diverse pool. The album turns out to be one of the band’s best, what am I saying?! All their albums are must-haves! (except for the Cut The crap album of course). In true Clash fashion there’s not one bad track to spare.
Give ‘Em Enough Rope is the second studio album by the English punk rock band The Clash. It was released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of The Clash. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart.
This is not easy listening, it’s uneasy listening!
MTV Unplugged in New York is a live album by the American rock band Nirvana. It features an acoustic performance taped at Sony Music Studios in New York City on November 18, 1993 for the television series MTV Unplugged. The show was directed by Beth McCarthy and first aired on the cable television network MTV on December 14, 1993. As opposed to traditional practice on the television series, Nirvana played a set list composed of mainly lesser-known material and cover versions of songs by The Vaselines, David Bowie, Meat Puppets (during which they were joined by two members of the group onstage) and Lead Belly.
Rolling Stone ranked MTV Unplugged in New York at #311 in its list of “The 500 Greatest Albums of All Time”
“The song is the thing that matters. Before I can record, I have to hear it, sing it, and know that I can make it feel like my own, or it won’t work. I worked on these songs until I felt like they were my own.”
October 17, 2000
John Carter Cash, Rick Rubin
American III: Solitary Man is the third album in the American series by Johnny Cash released in 2000 (and his 85th overall album). The album was notable for being Cash’s highest charting (#11 Country) solo studio LP since his 1976 One Piece at a Time, an album that reached No. 2 Country based on the title cut. To the present day, Cash’s studio albums for American have continued to sell & chart extremely well, as evidenced by the platinum #22 POP, #2 C&W American IV: The Man Comes Around (released one year before his death) and the gold, #1 on both charts, American V: A Hundred Highways.
I see a darkness (with guest Will Oldham, the composer of the song):
Between Unchained and Solitary Man, Cash’s health declined due to various ailments, and he was even hospitalized for pneumonia. His illness forced Cash to curtail his touring. The album American III: Solitary Man contained Cash’s response to his illness, typified by a version of Tom Petty’s “I Won’t Back Down”, as well as a version of U2’s “One”.
One (so much better than any other versions!):
American III: Solitary Man, just like Cash’s two previous albums produced by Rick Rubin, was a Grammy winner, taking home the award for Best Male Country Vocal Performance for Cash’s version of the Neil Diamond classic “Solitary Man”. Cash continued to receive critical appreciation for his American series of albums—on aggregate review site Metacritic.com the third album in Cash’s American series received a score of 80 (despite middling reviews from publications such as L.A. Weekly and Rolling Stone magazine) (from Wikipedia)
I Wont Back Down
That Lucky Old Sun
I See A Darkness
The Mercy Seat
Would You Lay With Me (In A Field Of Stone)
Field Of Diamonds
Before My Time
Mary Of The Wild Moor
I’m Leavin’ Now
“You can stand me up at the gates of hell/ But I won’t back down”
But American III‘s high point is its two-song centerpiece. The first is Will Oldham’s “I See a Darkness”, on which it becomes clear that, perhaps because of his neurological disorder, Cash’s voice isn’t as sure and strong as it once was. When he quavers, with Oldham singing backup, “Is there hope that somehow you can save me from this darkness?” the effect is absolutely devastating. You won’t listen to the song the same after this. The shivers will eventually leave your spine, but the residue remains.
The Mercy Seat:
That song’s transcendent power also stems from its production, which, although still sparse, is relatively lush. The organ and piano that rise to match the guitar remain in use for Nick Cave’s “The Mercy Seat”. Chronicling the first-person thoughts of a man being executed, this song, more than any other on the album, was written for Cash. Building to a rumbling crescendo, he belts out, “And the mercy seat is smokin’/ And I think my head is meltin’.” This would’ve brought even Gary Gilmore to tears.