April 28: Bob Dylan Together Through Life was released in 2009
…Sure, I try to stick to the rules. Sometimes I might shift paradigms within the same song, but then that structure also has its own rules. And I combine them both, see what works and what doesn’t. My range is limited. Some formulas are too complex and I don’t want anything to do with them.
~Bob Dylan (to Bill Flanagan, in 2009)
“Dylan, who turns 68 in May, has never sounded as ravaged, pissed off and lusty”
~David Fricke (rollingstone.com)
Together Through Life is an album that gets its hooks in early and refuses to let go. It’s dark yet comforting, with a big tough sound, booming slightly like a band grooving at a soundcheck in an empty theatre. And at its heart there is a haunting refrain. Because above everything this is a record about love, its absence and its remembrance.
~Danny Eccleston (mojo4music.com)
Beyond Here Lies Nothin’
I’m listening to Billy Joe Shaver And I’m reading James Joyce Some people they tell me I got the blood of the land in my voice
~Bob Dylan (I Feel A Change Comin’ On)
April 28: Bob Dylan Klas Burling Interview, Stockholm, Sweden,1966
What do you think Mozart would say to you if you ever come up to him and ask him the questions that you’ve been asking, you know? What kind of questions would you ask him, you know, ‘Tell me, Mr. Mozart… ‘
~Bob Dylan (to Klas Burling, April 28, 1966)
Immediately after the official press conference at the Hotel Flamingo at Stockholm, Dylan was interviewed for Swedish Radio 3: Stockholm: Radiohuset by Sweden’s first disc jockey, Klas Burling. Burling asked all the questions that Dylan had clearly grown sick and tired of hearing and got a really hard time as a result. You have to give poor Burling credit for lasting the distance and carrying the interview through to the end. (Every Mind Polluting Word)
“On this album, I took a few steps backward, but I also took a bunch of steps forward because I had a lot of time to concentrate on it. I also had the band sounding like I want it to sound. It’s got that organ sound from ‘Blonde on Blonde’ again. That’s something that has been missing.”
~Bob Dylan (to Robert Hilburn – May 1978)
Jonathan Cott interview – Sept. 1978: Jonathan Cott: What do you think of all the criticisms of Street Legal? Bob Dylan: I read some of them. In fact, I didn’t understand them. I don’t think these people have had the experiences I’ve had to write those songs. The reviews didn’t strike me as being particularly interesting one way or another, or as compelling to my particular scene. I don’t know who these people are. They don’t travel in the same crowd, anyway. So it would be like me criticizing Pancho Villa.
First of all… “Street-Legal” is a fantastic album. I have never “understood” all the criticism it got.. and still gets, and I even dig the original overall sound & production.
The first & second recording session (April 25 & 26) did not produce much (probably only a master of “We Better Talk This Over”), but on this sessions we (probably) got 4 masters: No Time To Think, Where Are You Tonight? (Journey Through Dark Heat), True Love Tends To Forget & Changing Of The Guards.