Bill Withers is not underrated by people who know about him and who recognizes his music, but he is unknown and criminally overlooked by the general public. He is in fact one of the greatest singer/songwriters in music history. He is soulful, but his music is not constrained to the soul genre. He writes good songs and he is a marvelous performer.
Bill Withers became a part of the L.A. music scene in the late 60s after a period in the Navy. While he was assembling airplane toilets for Boeing he was signed to the Sussex music label (in 1970) and had instant success with his first album, Just As I Am, and the acoustic ballad, Ain’t No Sunshine. Bill Withers had more in common with the singer/songwriters than with the rising disco/soul, even though there’s a strong groove in his songs, sometimes even a funky rhythm. His second release, 1972′s Still Bill, became a career high point, it contained songs like Use Me and Lean On Me, big hits both of them. The album cemented his position in music history.
In 1972 he also recorded the fantastic live album, Live at Carnegie Hall (released 1973). Nowhere is his narrative prowess and powerful vocal style more clear. This is number 19 on my list of the best live albums of all time.
The opener is a slow version of Use Me that Bill Withers turns into a seductive almost nine minute jam.
Use Me (Soul Train, 197?), not nearly as good as the Carnegie Hall version, but very good anyway:
The album also has the definitive version of Ain’t no Sunshine, a faster more jazzy interpretation than usual.
There are many great songs on the album, but the real masterpiece is Grandma’s Hands and especially Bill Wither’s long intro, he is reminiscing about his grandmother playing tambourine in the church. We hear him describe the dancing and preaching at the church, his grandmother banging on the tambourine in joy, it’s an incredible story. He then launches into a heartfelt version of the song which, again, bests the original by miles. After hearing this version and his strong introduction, you will experience the song in new and deeper way.
Grandma’s Hands (audio with slide show):
“Grandma them had one a them churches where they sung “If you wanna help me Jesus, it’s alright. If you wanna help me Jesus, it’s alright”. And at the funeral they used to have to tie the caskets down! Yeah. Yeah.” – Bill Withers from the introduction
Allmusic (Steven McDonald): A wonderful live album that capitalizes on Withers’ trademark melancholy soul sound while expanding the music to fit the room granted by a live show. Lovely versions of “Grandma’s Hands” and “Lean on Me” are balanced by heartfelt downbeat numbers like “Better Off Dead” and “I Can’t Write Left-Handed,” the latter being an anti-war song with a chilling message. The set finishes off with the lengthy “Harlem/Cold Baloney,” with lots of audience-pleased call-and-response going on. One of the best live releases from the ’70s. Continue reading →
When I was little boy I was very interested in music, the radio and records. My father had a small but very good record collection. Among the treasures in his collection was this album, Johnny Cash – Live at San Quentin. My father told me the story of the album, and I remember that the Norwegian broadcast company (yes there were only one channel at the time, early 70s) showed the actual concert. It was very late at night but my father woke me and I got to see this legendary show. It marked me for life.
At San Quentin is the 31st overall album and a recording of a live concert given by Johnny Cash to the inmates of San Quentin State Prison. As well as being released on record the concert was filmed by Granada Television.
Johnny Cash - San Quentin Songs Compilation (with great sound!):
The album was a follow-up to Cash’s previous live album, the critically acclaimed and commercially successful At Folsom Prison.
On the original LP release, the song order was changed and several songs were cut, probably for space reasons. Despite the title of the version released on CD in 2000 – At San Quentin (The Complete 1969 Concert) – the CD does not contain the entire concert uncut, but does feature additional tracks and running order that parallels the actual set list. In 2010, The album was reissued on vinyl by Sundazed Records with the original Columbia. Performed but not included were the songs “Jackson” and “Orange Blossom Special”, which are included in the video release of the show.
June 4, 1969
Live at San Quentin State Prison, February 24, 1969
Bob Johnston (original)
Bob Irwin (re-release)
San Quentin (look at the reactions on the prisoners faces!):
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1. Visions Of Johanna
2. Like A Rolling Stone
3. Tangled Up in Blue
4. Ballad Of A Thin Man
5. Stuck Inside Of Mobile With The Memphis Blues Again
6. Blind Willie McTell (electric version)
7. It's Alright, Ma (I'm Only Bleeding)
8. It's All Over Now, Baby Blue
9. Desolation Row
10. Idiot Wind (New York version)