I like this town, it’s really great. They’ve put me in The Nashville Songwriters Hall of Fame. This town is about music. It’s about the kind of music I like.
~Otis Blackwell
I used to go down every year for the remembrance of Elvis’ birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.
~Otis Blackwell
Blackwell’s songwriting style is as identifiable as that of Willie Dixon or Jerry Leiber & Mike Stoller. He helped formulate the musical vocabulary of rock & roll when the genre was barely breathing on its own.
~Bill Dahl (allmusic.com)
All Shook Up – Elvis Presley:
Great Balls Of Fire – Jerry Lee Lewis:
Wikipedia:
Also known as
John Davenport
Born
February 16, 1931
Origin
Brooklyn, New York, United States
Died
May 6, 2002 (aged 71)
Nashville, Tennessee, U.S.
Genres
East Coast blues, rock and roll,R&B
Occupations
Singer, pianist, songwriter
Instruments
Piano
Years active
1950s–2002
Labels
RCA, Groove, Atlantic
Otis Blackwell (February 16, 1931 – May 6, 2002) was an American songwriter, singer, and pianist, whose work significantly influenced rock and roll. His compositions include Little Willie John’s “Fever”, Jerry Lee Lewis’ “Great Balls of Fire” and “Breathless”, Elvis Presley’s “Don’t Be Cruel”, “All Shook Up” and “Return to Sender” (with Winfield Scott), and Jimmy Jones’ “Handy Man”. He should not be confused with another songwriter and producer Robert “Bumps” Blackwell.
Fever – Little Willie John:
Awards:
Otis Blackwell was inducted into the Nashville Songwriters Hall of Fame in 1986
in 1991 into the National Academy of Popular Music’s Songwriters Hall of Fame
Blackwell’s crowning moment came in the late 1980s when the Black Rock Coalition, a prominent organization of black rock musicians, led by Vernon Reid, the lead guitarist of the band, Living Colour, held a tribute for him at the Prospect Park Bandshell in his native Brooklyn. Many prominent musicians and singers took part including Blackwell himself, who performed an assortment of his best songs, including “One Broken Heart for Sale,” “Black Trail,” “Don’t Be Cruel” and “Daddy Rolling Stone.”
Blackwell was named one of the 2010 recipients of Ahmet Ertegun Award in the Rock and Roll Hall of Fame. This category encompasses those who primarily work behind the scenes in the music industry.
My doctor tells me I should start slowing it down – but there are more old drunks than there are old doctors so let’s all have another round.
~Willie Nelson
We create our own unhappiness. The purpose of suffering is to help us understand we are the ones who cause it.
~Willie Nelson
He [Willie Nelson] takes whatever thing he’s singing and makes it his. There’s not many people who can do that. Even something like an Elvis tune. You know, once Elvis done a tune, it’s pretty much done. But Willie is the only one in my recollection that has even taken something associated with Elvis and made it his. He just puts his sorta trip on it…
~Bob Dylan (28 April 1993)
Willie Nelson Induction into the Country Music Hall of Fame (1993):
Funny How Time Slips Away (1997):
Wikipedia:
Birth name
Willie Hugh Nelson
Also known as
Red Headed Stranger
Born
April 30, 1933 (age 80)
Abbott, Texas, United States
Genres
Country, country rock, outlaw country, alternative country, vocal pop
Occupations
Musician, songwriter, producer, actor, activist
Instruments
Vocals, guitar
Years active
1956 – present
Labels
Liberty, RCA, Atlantic, Columbia, Island, Justice Records, Lost Highway Legacy Recordings
Associated acts
Waylon Jennings, The Highwaymen, Johnny Cash, Kris Kristofferson
Willie Hugh Nelson (born April 30, 1933) is an American country music singer-songwriter, as well as an author, poet, actor, and activist. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed at the end of the 1960s as a reaction to the conservative restrictions of the Nashville sound. Nelson has acted in over 30 films, co-authored several books, and has been involved in activism for the use of biofuels and the legalization of marijuana.
Born during the Great Depression, and raised by his grandparents, Nelson wrote his first song at age seven and joined his first band at ten. During high school, he toured locally with the Bohemian Polka as their lead singer and guitar player. After graduating from high school, in 1950, he joined the Air Force but was later discharged due to back problems. After his return, Nelson attended Baylor University for two years but dropped out because he was succeeding in music. During this time, he worked as a disc jockey in Texas radio stations and a singer in honky tonks. Nelson moved to Vancouver, Washington, where he wrote “Family Bible” and recorded the song “Lumberjack” in 1956. In 1960, he signed a publishing contract with Pamper Music which allowed him to join Ray Price’s band as a bassist. During that time, he wrote songs that would become country standards, including “Funny How Time Slips Away”, “Hello Walls”, “Pretty Paper”, and “Crazy”. In 1962, he recorded his first album, And Then I Wrote. Due to this success, Nelson signed in 1964 with RCA Victor and joined the Grand Ole Opry the following year. After mid-chart hits in the late 1960s and the early 1970s, Nelson retired in 1972 and moved to Austin, Texas. The rise of the popularity of hippie music in Austin motivated Nelson to return from retirement, performing frequently at the Armadillo World Headquarters.
Whiskey River (Live 1974):
In 1973, after signing with Atlantic Records, Nelson turned to outlaw country, including albums such as Shotgun Willie and Phases and Stages. In 1975, he switched to Columbia Records, where he recorded the critically acclaimed album, Red Headed Stranger. The same year, he recorded another outlaw country album, Wanted! The Outlaws, along with Waylon Jennings, Jessi Colter, and Tompall Glaser. During the mid-1980s, while creating hit albums like Honeysuckle Rose and recording hit songs like “On the Road Again”, “To All the Girls I’ve Loved Before”, and “Pancho & Lefty”, he joined the country supergroup The Highwaymen, along with fellow singers Johnny Cash, Waylon Jennings, and Kris Kristofferson. In 1990 Nelson’s assets were seized by the Internal Revenue Service, which claimed that he owed US $32,000,000. It was later discovered that his accountants, Price Waterhouse, did not pay Nelson’s taxes for years. The difficulty of paying his outstanding debt was aggravated by weak investments he had made during the 1980s. In 1991, Nelson released The IRS Tapes: Who’ll Buy My Memories?; by 1993, the profits of the double album, destined to the IRS, and the auction of Nelson’s assets cleared his debt. During the 1990s and 2000s, Nelson continued touring extensively, and released albums every year. Reviews ranged from positive to mixed. He explored genres such as reggae, blues, jazz, and folk. Nelson made his first movie appearance in the 1979 film The Electric Horseman, followed by other appearances in movies and on television.
Nelson is a major liberal activist and the co-chair of the advisory board of the National Organization for the Reform of Marijuana Laws, which is in favor of marijuana legalization. On the environmental front, Nelson owns the bio-diesel brand Willie Nelson Biodiesel, which is made from vegetable oil. Nelson is also the honorary chairman of the Advisory Board of the Texas Music Project, the official music charity of the state of Texas.
Angel Flying Too Close To The Ground (Live w/ The Highwaymen 1992):
Recorded when Presley was 25, fresh off a two-year military stint and musically fit to burst, Elvis Is Back! might be the King’s greatest noncompilation LP: wildly varied material, revelatory singing, impeccable stereo sound.
~Will Hermes (rollingstone.com)
Released
April 8, 1960
Recorded
March and April 1960
Genre
Rock and roll, rhythm and blues
Length
31:54
Label
RCA Victor
Producer
Steve Sholes and Chet Atkins
Elvis Is Back! is the fifth studio album by Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 2231, in April 1960. Recording sessions took place on March 20 and April 3, 1960, at RCA Studio B in Nashville, Tennessee. It was Presley’s first album to be released in true stereo. It peaked at number two on the Top Pop Albums chart and is listed, along with his debut and From Elvis in Memphis, in the book 1001 Albums You Must Hear Before You Die. It was certified Gold on July 15, 1999, by the RIAA.
Reconsider baby ( extended sax version):
The first album by Presley after his military discharge from the army, the first day of its sessions were attended by the Colonel, his assistant Tom Diskin, and representatives from RCA in a show of interest regarding whether or not Elvis still “had it” after two years in uniform. His long-serving guitarist Scotty Moore, pianist Floyd Cramer, and drummer D. J. Fontana had returned, along with his back-up vocal quartet The Jordanaires, but the other musicians had only played on one previous session with Elvis. … Pressure aside, the sessions were successful, the album a highlight of the entire decade and a declared favorite by Presley regarding his own work. He moved beyond his standard rock and roll sound of the 1950s, combining doo-wop, gospel, blues, and even jazzy tones from his version of “Fever” following so close to that of Peggy Lee from 1958.
Personnel:
Elvis Presley - vocals, guitar
Scotty Moore - electric guitar
Hank Garland - guitar, bass
Floyd Cramer - piano
Bob Moore - bass
D. J. Fontana - drums
Buddy Harman - drums
The Jordanaires - backing vocals
Boots Randolph - saxophone
Charlie Hodge - guitar, vocals on “I Will Be Home Again”
Track listing – original album
Side one
Make Me Know It (Otis Blackwell)
Fever (John Davenport and Eddie Cooley)
The Girl of My Best Friend (everly Ross and Sam Bobrick)
I Will Be Home Again (Bennie Benjamin, Raymond Leveen, Lou Singer)
Dirty, Dirty Feeling (Jerry Leiber and Mike Stoller)
Thrill of Your Love (Stan Kesler)
Side two
Soldier Boy (David Jones and Theodore Williams Jr.)
Such A Night (Lincoln Chase)
It Feels So Right (Fred Wise and Ben Weisman)
Girl Next Door Went A-Walking (Bill Rice and Thomas Wayne)
Like a Baby (Jesse Stone)
Reconsider Baby (Lowell Fulson)
Full album from youtube:
Wikipedia
Elvis Is Back represents a peak in Elvis’ career, when his maturity and confidence led to a control and focus in his music. Like the pre-army Elvis recordings, this album offered an eclectic collection of musical genres, from a sentimental duet with Charlie Hodge called ‘I Will Be Home Again’ to the gritty ‘Reconsider Baby’ with a bluesy sax solo by Boots Randolph. Once again, Elvis’ talent for unifying disparate styles of music resulted in an innovative and successful album..
~ elvispresleymusic.com
“By the time you get close to the answers, it’s nearly all over.”
- Merle Haggard
The first time we met is a favorite memory of mine. They say time changes all it pertains to But your memory is stronger than time. I guess everything does change except what you choose to recall.
Wikipedia:
Merle Ronald Haggard (born April 6, 1937) is an American country music song writer, singer, guitarist, fiddler, and instrumentalist. Along with Buck Owens, Haggard and his band The Strangers helped create the Bakersfield sound, which is characterized by the unique twang of Fender Telecaster and the unique mix with the traditional country steel guitar sound, new vocal harmony styles in which the words are minimal, and a rough edge not heard on the more polished Nashville Sound recordings of the same era.
My Favorite Memory:
By the 1970s, Haggard was aligned with the growing outlaw country movement, and has continued to release successful albums through the 1990s and into the 2000s.
Haggard’s guitar playing and voice gives his country a hard-edged, blues-like style in many cuts.
Merle Haggard is one of country music’s most versatile artists. His compositions ranges wide: ballads , autobiographical reflections, political commentaries and funny drinking songs. Easy dance songs and more serious stuff.
But first of all it’s the voice, man! That voice!
Todays album is the great , Big City. It’s Merle Haggard’s masterpiece and one of my all-time favorite country records:
Big City, both the cut and the album, revisits the seemingly eternal themes in Haggard’s best work — the plight of the honest, decent working man amid the squalor, complication, and contradiction of urban life. Besides the title cut, there are bona fide Haggard classics here — and some that aren’t but should be.
(Allmusic)
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1. Visions Of Johanna
2. Like A Rolling Stone
3. Tangled Up in Blue
4. Ballad Of A Thin Man
5. Stuck Inside Of Mobile With The Memphis Blues Again
6. Blind Willie McTell (electric version)
7. It's Alright, Ma (I'm Only Bleeding)
8. It's All Over Now, Baby Blue
9. Desolation Row
10. Idiot Wind (New York version)