|Released||August 3, 1973|
|Recorded||The Record Plant
(Los Angeles, California)
Media Sound Studios
(New York, New York)
|Genre||Soul, funk, soft rock, R&B|
Innervisions is the sixteenth album by American musician Stevie Wonder , released August 3, 1973 on Motown Records; a landmark recording of his “classic period”. The nine tracks of Innervisions encompass a wide range of themes and issues: from drug abuse in “Too High,” through social anger in “Living for the City,” to love in the ballads “All in Love is Fair” and “Golden Lady.”
As with many of Stevie Wonder’s albums the lyrics, composition and production are almost entirely his own work, with the ARP synthesizer used prominently throughout the album. This instrument was a common motif among musicians of the time because of its ability to construct a complete sound environment. Wonder was the first black artist to experiment with this technology on a mass scale, and Innervisions was hugely influential on the subsequent future of commercial black music. He also played all or virtually all instruments on six of the album’s nine tracks, making most of Innervisions a representative one-man band.
From Allmusic (John Bush):
When Stevie Wonder applied his tremendous songwriting talents to the unsettled social morass that was the early ’70s, he produced one of his greatest, most important works, a rich panoply of songs addressing drugs, spirituality, political ethics, the unnecessary perils of urban life, and what looked to be the failure of the ’60s dream — all set within a collection of charts as funky and catchy as any he’d written before. Two of the highlights, “Living for the City” and “Too High,” make an especially deep impression thanks to Stevie’s narrative talents; on the first, an eight-minute mini-epic, he brings a hard-scrabble Mississippi black youth to the city and illustrates, via a brilliant dramatic interlude, what lies in wait for innocents. … ->Read more
- In 2001, VH1 named it the 31st greatest album of all time
- In 2003, the album was ranked number 23 on Rolling Stone magazine’s list of the 500 greatest albums of all time.
The magazine wrote in that occasion:
… Stevie Wonder may be blind, but he reads the national landscape, particularly regarding black America, with penetrating insight on Innervisions, the peak of his 1972-73 run of albums–including Music of My Mind and Talking Book. Fusing social realism with spiritual idealism, Wonder brings expressive color and irresistible funk to his synth-based keyboards on “Too High” (a cautionary anti-drug song) and “Higher Ground” (which echoes Martin Luther King Jr.‘s message of transcendence). The album’s centerpiece is “Living for the City,” a cinematic depiction of exploitation and injustice. Just three days after Innervisions was released, Wonder suffered serious head injuries and lay in a four-day coma when the car he was traveling in collided with a logging truck.—Rolling Stone
Album of the day:
- James Alan Hetfield (born August 3, 1963) is the rhythm guitarist, co-founder, main songwriter, and lead vocalist for the American heavy metal band Metallica. Hetfield co-founded Metallica in October 1981 after answering a classified advertisement by drummer Lars Ulrich in the Los Angeles newspaper The Recycler, searching for band members. Since then, Metallica has won nine Grammy Awards and released nine studio albums, three live albums, four extended plays and 24 singles. In 2009, Hetfield was ranked number 8 in Joel McIver‘s book The 100 Greatest Metal Guitarists, and ranked twenty-fourth by Hit Parader on their list of the 100 Greatest Metal Vocalists of All Time.dfd
- Arthur Lee (March 7, 1945 – August 3, 2006) was the frontman, songwriter and multi-instrumentalist of the Los Angeles rock band Love, best known for the critically acclaimed 1967 album, Forever Changes.